Spanish & Klimt02 Experience

01.03.15 – Review of Spanish & Klimt02 Experience

Graduation abandons emerging jewellers at the verge of the unknown – overwhelmed by possibilities yet often underwhelmed by opportunities. Clinging to edges of the institutional safety blanket, recent graduates are forced to let go and begin a self-directed path toward becoming an established contemporary jeweller. Uncertain as to the direction I should take, I was compelled to look beyond international borders to find the opportunities necessary to develop my skills, knowledge and experience as a creative practitioner and industry professional; all the while endeavouring to bridge the gaps between art and jewellery, practitioner and professional, emerging and established. As a result of my ambitious inquiries and applications, I was fortunate to be accepted for an internship position at Klimt02 – International Art Jewellery Online in Barcelona, Spain.

In conjunction with their influential web presence, Klimt02 Gallery is recognised as an industry leader within the international contemporary jewellery community. It is a platform with a global audience for practitioners, galleries and institutions to promote, exchange and debate the creative innovations within the contemporary jewellery field. The developing network of members and content recently prompted major transformations to the Klimt02 website.  The beginning of my internship coincided with the integration of the Klimt02’s former database with their new and improved website. Working alongside staff at Klimt02 through this transition, my initial position related to the publishing website content and database management and extended to the research and development of proposals for improvements to the new website’s formatting, functionality and memberships.

The Klimt02 internship was conducted in the manner that differed greatly to my expectations. Imparting knowledge is not the foundation of this internship as the expectation is placed on interns to be creative, intuitive and self-directed. Nonetheless, an experience is only as rewarding as the effort you put into it. In order to make my experience as worthwhile as possible, I elected to commit to a significant number of additional hours on the internship (at least double) and immersed myself in the international art jewellery community. As a result, I gained valuable knowledge relating to the interactions and relationships of this creative industry, fostered international professional networks and connected with European audiences of contemporary jewellery.

The publishing and updating of website content relating to jewellers and upcoming events for Klimt02 revealed the unique career paths of emerging and established jewellery artists. Through my exchanges with a number of local and international members of the contemporary jewellery community, I received supportive and constructive critiques of my recent works. In addition, the exposure to European standards of contemporary jewellery has notably encouraged the refinement of my design process and artistic practice. Therefore, a clearer understanding of my artistic path and future career goals as a creative practitioner and industry professional is the outcome of this experience for which I am most grateful.

Adiós España por ahora. Hola de nuevo Australia.

13.02.15 – Museu Frederic Marès

As Barcelona’s most peculiar institution, the Museu Frederic Marès exhibits an extensive and eclectic collection of historical curiosities.  For Frederic Marès, a wealthy sculptor and obsessive collector, “sculpture became something more than an artistic vocation” (Museu Frederic Marès 2010).  His immense collection of Spanish religious and decorative sculpture occupies three entire floors of the “vast medieval complex, once part of the Royal Palace of the Counts of Barcelona” (Lonely Planet 2015).  The remaining levels are dominated by the Collector’s Cabinet, a display of “tens of thousands of items documenting lifestyles and customs from days gone by” (Museu Frederic Marès 2010).

The unique and unusual objects of the Collector’s Cabinet were the highlight of the museum and my museum and gallery experiences in Barcelona.  Wandering the 17 display halls, I was amazed at the extent of Marès’ collecting and captivated by each cabinet of curiosities.  The collection of objects included keys, weapons, fans, playing cards, pipes, timepieces, spectacles, photographs, ceramics and toys.  As a jeweller, I was pleased with the Ladies’ Quarter’s considerable adornment collection consisting of: bracelets, brooches, necklaces, rings, earrings and bouquet holders.  Though as an artist, the craftsmanship evident in so many of the objects on display was inspiring.

 

07.02.15 – Poble Espanyol

Poble Espanyol is an open air, architectural museum featuring full-scale representations of 117 buildings, streets and squares from different regions of Spain.  “As well as being an architectural museum, the Poble Espanyol also promotes the diffusion of art and culture with various artistic initiatives” including the studio spaces for traditional craftsman, the Sculpture Garden and Fran Daurel Museu (El Poble Espanyol, 2015).  Watching production techniques first hand, I gained a greater appreciation for each craftsman’s traditional skills and their experimentation with innovative elements of design and shape.

06.02.15 – Raspas Exhibition at Dterra

05.02.15 – Studio Visit with Nicolas Estrada

Taking advantage of his previous offer, Alexandra and I visited Nicolas Estrada for a studio tour and a showing of his work.  The large, ordered warehouse space is shared with fellow Barcelona-based jewellers, Karim Oukid and Eva Burton.  During our exchanges, Nicolas further elaborated on his methods for sustaining a livelihood on jewellery alone through a combination of his commercial, commissioned and exhibition works.  Nicolas then shared advice on his experiences with galleries, competitions and publications.  I have appreciated all of the different perspectives I have received from the local contemporary jewellery community in Barcelona and how it is now reforming my thoughts of the European jewellery scene.

04.02.15 – Museu Nacional d’Art de Catalunya

Nestled at the base of the Montjuïc slopes, the Museu Nacional d’Art de Catalunya displays an extensive collection of predominately Catalan art from the early Middle Ages to the 20th century.  The displays of Modern Art are exhibited with reference to the social, historic and artistic context of the work to “highlight the international connections of artists and movements of Barcelona and Catalonia” (MNAC, 2014).  Although the permanent collection of Modern Art featured a limited selection of jewellery, I valued the representation of the self-portrait and the human figure in the section, ‘The Rise of the Modern Artist’.

02.02.15 – MACBA: Museo de Arte Contemporáneo de Barcelona

Today’s museum visit of the day was the Museo de Arte Contemporáneo de Barcelona.  The “MACBA’s exhibition programme offers visitors access to a complex vision of contemporary culture, in which today’s art becomes a key element for understanding current social, economical and political dynamics” (MACBA, 2014).  Personally, I found the prominence of sexually explicit works and text art was overdone in the selection of exhibitions.  However, I did appreciate a number of the larger sculptural works.

01.02.15 – Fundació Joan Miró

Located atop the hills of Montjuïc, the Fundació Joan Miró is a museum of modern art honoring the Spanish painter and sculptor, Joan Miró.  The museum displays the largest collection of the Miró’s work and comprises over 14,000 pieces including “217 paintings, 178 sculptures, 9 textiles, 4 ceramics and some 8,000 drawings” (Fundació Joan Miró, 2014).  The rooftop terrace showcased a number of Miró’s vibrant, colourful sculptures and overlooked the cityscape of Barcelona.

31.01.15 – Museu del Disseny de Barcelona and Foguerons de Sant Antoni: Sa Pobla a Gràcia

Everything there is outside may also be in a Museum.

– Museu del Disseny de Barcelona

With a collection of over 70,000 objects, the Museu del Disseny de Barcelona is a museum of art objects and design, integrating collections from four previously independent museums: the Decorative Arts Museum, Ceramics Museum, the Textile and Clothing Museum and the Graphic Arts Cabinet.  The museum presents a retrospective of historic decorative art (furniture, ceramics, glassware, fabrics, clocks), design (product, graphic and fashion design) and twentieth and twenty-first century author art (artistic ceramic, enamel work, jewellery) from the fourth century AD to the present.  From conception, to creation and production, the objects of the museum’s collections reflect the dynamic nature of decorative arts and design as well as society itself. 

Myself and fellow Klimt02 interns, Alexandra and Hannah, were thrilled with the modest, yet interesting, display of contemporary jewellery.  The collection, La ‘Nova Joia’, showcased a selection of influencial Spanish jewellery artists including Joaquim Capdevila, Ramon Puig Cuyàs, Silvia Walz, Maiane Fradera and Carmen Amador.

In the evening, we joined locals in the streets and squares of Gracia to celebrate Foguerons de Sant Antoni: Sa Pobla a Gràcia.  The bonfire festivities were accompanied by a fantastic display of fire pyrotechnics and musical performances.

30.01.15 – Interview with Zoe Robertson

As my responsibilities at Klimt02 have developed, I have taken on many (many, many) new projects including an interview with British jewellery artist, Zoe Robertson.  Whilst I enjoyed writing the questions, I have enjoyed reading her considered responses even more.  With reference to her upcoming solo exhibition, flockOmania, Zoe discusses the inspirations and processes of her artistic practice which integrates jewellery and contemporary dance.  A worthwhile read!

25.01.15 – Art in the Streets of Barcelona

The Pintors del Pi gather every weekend in the square under the shade of La Basílica de Santa María del Pi.  As my local neighbourhood square, I regularly wander the rows of the artists’ exhibited works.  I have recently been reflecting on my return to Australia and I will surely miss the cultural vibrancy around every corner.

24.01.15 – Els Encants

Sheltered under a golden, reflective canopy, the Els Encants presents an eclectic collection of ‘stalls’ from over five hundred vendors.  More commonly know as the ‘Old Charms’ flea market, this market is the largest of its kind Barcelona.  ‘The market has been held here since the 14th Century, making it one of Europe’s oldest, and a symbol of Barcelona’s unique mercantile spirit’ (Go Spain, 2014).  Wandering the seeming endless aisles,  the collections of peddled wares ranged from secondhand clothes and antiques to electronic equipment.  Accompanied by another fellow Klimt02 intern, Hannah, and a collective of Barcelonian jewellers, we scoured the piles for unique items to be repurposed into wearable art!

Our quirky finds were of great inspiration to Hannah’s work as she aims to create jewellery with a sense of humor.  I can not wait to see how her treasures from Els Encants are transformed.  Check out her website for images of her previous work!

22.01.15 – Classical Piano Concert at Palau de la Música Catalana

The Palau de la Música Catalana was an experience for the senses.  Incorporating elements of sculpture, mosaic, stained glass and ironwork, the facade of the Palau de la Música Catalana is an architectural treasure of Catalan Art Nouveau.  As “the only concert venue in this style to be listed as a World Heritage Site by UNESCO … [it] represents an essential landmark in the cultural and social life of Catalonia” (Orfeó Català, 2014).  After admiring the exquisite exterior, the Klimt02 team and I entered the modern auditorium, Petit Palau, for a performance of classical musings by pianist, Daniel Ligorio.  Supported by the Orquestra Nacional Clàssica d’Andorra (ONCA), the musical talents of all instrumentalists shone.

21.01.15 – Gem Sale at the AJ999 Workshop

Tagging along with Klimt02’s publication intern, Hannah, we swung by the Gem Sale at the shared workspace, AJ999.  The workshop dazzled with the colourful luster of precious and semi-precious stones.  A professional stone cutter set up by the containers of overflowing gems to facet and polish the stones for each jeweller’s specific designs.  It was an interesting behind the scenes look at the local Barcelonian jewellery community.

14.01.15 – J&SO Studio Buddy Comes to Visit

A highlight for this week was a visit from my J&SO studio buddy, Teresa Lee!  Teresa and I completed our jewellery studies together at the Queensland College of Art in 2013.  Since then, we have both pursed international opportunities to develop our skills, knowledge and experience as a creative practitioners and industry professionals.  Whilst I have been interning for Klimt02, Teresa has been completely an exchange semester at the University of Dundee in Scotland.  It was great chance to catch up on our current projects and tour the gallery drawers of Klimt02 and streets of Barcelona.

Check out Teresa’s jewellery in the blog entry, Bloods, by Aesthetic Fixation.  Her artistic practice employs the medium of jewellery as a “forum to challenge perceptions and ideals of beauty” (Lee, 2013)’.  Watch out for this talented girl’s work!

10.01.15 – The Museu Picasso

As a renowned ‘must do’ in Barcelona, I finally had the opportunity to visit The Museu Picasso.  The 4,251 works of the permanent collection of drawings, paintings, prints and ceramics presented a extensive and comprehensive overview of Pablo Picasso’s formative years as a young artist.  This display “reveals his deep relationship with Barcelona: an intimate, solid relationship that was shaped in his adolescence and youth, and continued until his death” (Museu Picasso of Barcelona, 2014). Despite the absence of multiple iconic works, the retrospective of earlier works was an inspiring example of an evolving artistic practice.

05.01.15 – Three Kings Parade

In true Spanish flare, the Three Kings Parade (also called Procession of the Kings) was a outstanding display of decorated floats, magical costumes and music.  The streets were lined with onlookers eagerly awaiting the arrival of the Three Kings: Melchior, Gaspar and Balthasar.  Each of the Kings were escorted on a three leading floats whilst their helpers threw candy to the crowds as they passed by.  Children are the center of attention on this day and the parade allows them to hand over their wish lists to the Kings’ helpers, in the hopes that they will receive just what they asked for the following day.

31.12.14 – New Year’s Eve Countdown Show at the Magic Fountain of Montjuic

¡Feliz año nuevo! 2015 is here!

The Spanish did not disappoint with an extravagant display at the New Year’s Eve Countdown Show at the Magic Fountain of Montjuic.  It was a spectacular performance of light, water, music and human acrobatics.  On reflection of 2014, I am surprised with the achievements I have made within one year of graduating my Bachelor of Fine Arts and look forward to beginning my new exciting projects for 2015.

28.12.14 – Amsterdam and Stedelijk Museum

Details of Amsterdam’s architectural elements.

For my daily contemporary art and jewellery fix, I visited the Stedelijk Museum.  This international institution is dedicated to modern and contemporary art and design.   The museum presents a comprehensive overview of major influential artists in the modern art world including works by Vincent van Gogh, Wassily Kandinsky, Franz Marc, Marc Chagall, Henri Matisse, Piet Mondrian and Jackson Pollock.  Despite a dominance of paintings, Stedelijk’s design collection has an impressive and inclusive survey of “furniture, glass, ceramics, jewellery, posters, printed matter and textiles from 1900 to the present” (Stedelijk, 2014).

I was most excited (of course) with Stedelijk’s collection of contemporary jewels by established and iconic jewellers including Otto Künzli, Helen Britton and Mansfred Bischoff.  The well displayed drawers featured significant works recognizable to me from many major jewellery publications.  In conjunction with the drawers of the permanent collection, the institution presents curated displays reflecting a selected theme.  The current exhibition, Body Language?, “comprises jewelry that literally measure the human body, and pieces whose shape is based on the human body—on sexual characteristics, to be precise” (Stedelijk, 2014).

27.12.14 – Nijmegen and Galerie Marzee

Rain, hail, (snow!) or shine, I travelled and weathered the elements in the search of jewellery!  Encouraged by my fellow Klimt02 intern, Alexandra, I embraced the opportunity to travel to the Netherlands and visit Galerie Marzee.  Alexandra has previously completed an internship at Marzee and believed it would offer a different aspect of contemporary jewellery galleries in Europe.

With 850 square meters of exhibition space, Galerie Marzee is the largest gallery for contemporary art jewellery in the world.  Spread over 4 spacious levels, Galerie Marzee’s collection of retail and display works is extensive, boarding on excessive.  The entrance level presents the gallery’s selection of publications relating to contemporary jewellery, including editions of the Marzee Magazine, and a sizable exhibiting space.  The next level is the main gallery space showcasing an overwhelming number of pieces for sale by emerging and established jewellers from around the world.  Although I was familiar with a number of artists on display, I also discovered a few new jewellers, such as Christine Matthias, engaging with techniques and aesthetics I hope to explore in my future work.  The third level is a dedicated exhibition space currently showing three temporary exhibitions: Okinari Kurokawa, Carla Nuis and Munich@Marzee (Mari Iwamoto, Junwon Jung, Annamaria Leiste, Barbara Schrobenhauser, Despo Sophocleous).  The fourth and final floor of the gallery displays the Marzee Collection inclusive of over 1000 pieces of jewellery acquired since 1979.  This permanent collection “includes work by some of the most influential jewellery artists of the late twentieth century as well as pieces by young, new makers” (Marzee, 2014).  As a side note, I did not find the lighting of the Marzee Collection ideal for the displays and this impeded my viewing enjoyment.

The current installation of works by German jeweller, Ute Eitzenhöfer, was impressive.  As one of my favourite artists, it was wonderful to view her creations in person with details and finishing even more exquisite than in photographs.  Short of the funds to purchase one of these beautiful works (Ha! Keep dreaming Bridgette…), I purchased Arnoldsche’s publication, Ute Eitzenhöfer: Schmuck Jewellery.

Overall, this gallery visit was a valuable experience.  It was interesting to see the contrasting functions and objectives of contemporary art jewellery galleries in Europe.

26.12.14 – Amsterdam Light Festival

Illuminating the streets and canals of the Dutch capital, the Amsterdam Light Festival celebrates the life of the city.  The participating artists interpreted the festival theme of ‘A Bright City’ with creativity and innovation.  Of the 260 applications from 32 different countries, an international jury selected 39 artworks to feature in the city wide display.  These works make statements towards “today’s metropolis, our urban lifestyle, and the incredible relevance of cities to the advancement of human culture… The light artworks are poetic, monumental and interactive” (Rogier van der Heidke, 2014).

Walking through the squares, parks and canals, I experienced a large number of the interactive and in-depth works.  The glowing installations reignited my interest in art employing elements of light and shadow.  With respect to my artistic practice, I was particularly intrigued by the following works:

The Gatekeepers by Irma de Vrie:  Guarding the entrance of the Hermitage Amsterdam, De Vries’ work, The Gatekeepers, projects video mappings of layered images onto two statuesque figures.  The use of superimposed images reflects layers of cultural history.

Triangolini by Hagar Elazari:  The moveable triangular stickers of Elazari’s light wall, Triangolini, allows interactive participation by the audience to manipulate the tapestry pattern.  “Light disappears and reappears in continuously changing geometric constellations” (Hagar Elazari, 2014).

The Millers Tale by Lucas Lelievel:  The illuminated dotted silhouettes (similar to that of my drilled brooches) illustrate narratives of the “17th century mills at a time when the city was enclosed by a five-meter high city wall” (Lucas Lelievel, 2014).

After viewing these works, I see the potential to further develop my experiments with light, layering and shadow to convey the social history of my family heritage in the new works for my Grandparent Portrait Series.

25.12.14 – A Barcelona Christmas

Bon Nadal!

Taking advantage of the glorious weather, I attended the 107th Copa de Nadal de Natació on the Barcelona waterfront.  For over 100 years, every December 25th, Spanish locals have competed in this swimming race across 200 meters of open water in Barcelona harbour.  It was a relaxing festive atmosphere to enjoy before attempting to cook a Christmas lunch without an oven.

23.12.14 – Klimt02 Video Section Complete!

In conjunction with my daily duties including the updating and publishing new website content, I have recently been working behind the scenes on Klimt02’s new Videos section.  After personally cataloging over 100 videos, the new feature element to the Klimt02 website is now accessible for all users.  This section presents a variety of engaging and informative videos relating to the field of contemporary jewellery.  Be sure to check it out!

20.12.14 – La Sagrada Família and Dterra’s 13th Celebration

As an iconic structure of the Barcelona skyline, I was compelled to visit the La Sagrada Família and view the detailed and complex architectural design of its interior.  The design and construction of this wondrous site of worship begun in 1882 under the direction of the diocesan architect, Francisco de Paula del Villar.  At the end of 1883, Antoni Gaudí was commissioned to take over the project, a duty which he did not abandon until his death in 1926.  133 years on, the construction of the church continues from Gaudí’s original vision.  The meticulously designed interior structure was awe inspiring.  In the light of the setting afternoon sun, the intricate stained glass panels coloured the balanced framework of columns which branch out like trees.  I savoured my experience at the La Sagrada Família and most appreciated the precision and purity of repetition in the design.

In the evening, I attended the celebration of dterra’s 13th year of “friendship, work, culture, crafts, art, creativity, learning, teaching, ceramics and jewellery” (dterra, 2014).  The gallery space also showcased a new Christmas exhibition of affordable wearable works by local creatives.  Despite the substantial language barrier, I have been amazed by the welcoming nature of the local jewellery community over this internship experience.  Roberta and Laura were no different and graciously included me in the festivities whilst sharing their artistic passions for ceramics and jewellery.

19.12.14 – Inlet Exhibition at Taller Perill

Taller Perill presented the group Christmas exhibition, Inlet, displaying a collection of works by local emerging and established contemporary jewellers and workshop members.  Spanning across three spaces, the exhibition showcased artists’ resolved creations along with a number of illustrated conceptual developments and works in progress.  The diverse and innovative use of techniques and materials on display evidently linked to the range of courses offered by workshop members and Escola Massana lecturers.

18.12.14 – Tapas with Nicolas Estrada

As a gracious gesture for my updating of his Klimt02 page, this evening I met with Barcelona-based jeweller, Nicolas Estrada, for thank you tapas.  It was a wonderful opportunity to meet a contributing member of the local contemporary jewellery community.  During this meeting, we discussed the outcomes and objectives of our recent and upcoming projects with respect to technical and conceptual developments.  Nicolas also shared his views on the current climate of contemporary jewellery in Europe and sustaining a livelihood on jewellery alone.  I look forward to meeting with Nicolas again in the new year to see his studio and meet the other jewellers practicing in this shared space.

14.12.14 – Jewellery Collection at the Victoria and Albert Museum

I have no words…  I was left overwhelmed and amazed upon viewing the jewellery collection at the Victoria and Albert Museum.  The thousands of dazzling jewels glistened under the staged spotlights in the black, multilevel display room.  As one of the most comprehensive collections in the world, the jewels of the V&A presented a visual history of jewellery in Europe from ancient times to the present day.  The exhibit showcases the multiple functions of jewellery from adornment, status, courtship, mourning and artistic expression.  From the displays of classical and antique jewellery, I gained a greater appreciation for traditional craftsmanship and cultural symbolism attached to these pieces.  The selection of jewellery by international contemporary makers exposed the vast developments and applications of materials, techniques and concepts.  I think it will take a little while to process the V&A’s extensive collection of jewellery, nevertheless, it made my whole London trip!

13.12.14 – London and Contemporary Applied Arts Gallery

Although I previously lived in London before my university studies, I was too young to take advantage of the opportunities and experience all the jewellery on offer.  Being on this side of the hemisphere once again, I was not going to let a chance pass to explore the contemporary jewellery in London.  I began my weekend with a worthwhile visit to Contemporary Applied Arts in Southwark.  “Contemporary Applied Arts was founded in 1948, as The Crafts Council of Great Britain, preceding the current Crafts Council as the national representative for craft” (CAA, 2013).  This gallery space exhibits the creative talents of its 350 UK members working across the disciplines of ceramics, glass, textiles, jewellery, metal and wood.  After exploring the beautifully crafted works in each display cabinet, I strolled along the banks of the River Thames and soaked up the festive atmosphere.

10.12.14 – Ludus Gemmarum – Part II Exhibition

This evening I attended Part II of the collaborative partnership between Spanish jewellers Lluís Comín and Montserrat Lacomba.  The exhibition, Ludus Gemmarum – Part II, showcases creative works of each artist exploring themes of memory and landscape.  A single feature brooch, ‘Trapped Cloud’, was created blending each artist’s unique aesthetic and uniting the individual series of works on display.  In addition to the work from the first exhibition, a table of production works presented affordable pieces reflecting the mood and preoccupations of each of Lluís and Montserrat’ larger body of work.  It was a pleasure to met Lluís for a second time even though our language barrier requires constant translation.

06.12.14 – Sitges and Exposicion de Joyeria Contemporanea at Galerie Fernando Suarez

In an effort to avoid the weekend congestion of tourists, Alexandra, my fellow Klimt02 intern, and I escaped to Sitges.  In addition to the wonderful weather and charming atmosphere of the coastal town we enjoyed the opening for an exhibition of contemporary jewellery at Galerie Fernando Suarez.  The exhibition, Exposicion de Joyeria Contemporanea, showcased the work of four emerging jewellers, Patricio Minconi, Jessica Bellí, Mar Veloy and Roberto Carrascosa (Roberto&Victoria).  Despite their individual practices, these jewellers share a collective studio space managed by Patricio in Gracia, Barcelona. If you were ever visiting Barcelona, the workshop, AJ 999, also offers bench spaces for rent.

03.12.14 – Genesis Exhibition at Klimt02 Gallery

My week was marked by the installation and opening night of Ezra Satok-Wolman and Wendy McAllister‘s exhibition, Genesis: Life and Form through Different Lenses, at the Klimt02 Gallery.  This invaluable experience developed my understanding of the curatorial processes for an exhibition featuring the works of international artists.

Ezra and Wendy arrived from Canada and the United States on Monday afternoon to familiarize themselves with the gallery space and propose an initial arrangement for the pieces.  An interesting element to the installation process was that these jewellers had not met in person before this day.  After viewing each others’ work at SIERAAD in 2013, the artists began a digital exchange inspired by their mutual interest in the beauty and wonder of nature’s grand design.  With differing interpretations of this concept, each artist presented a series of work with uniquely individual aesthetics for the collaborative exhibition.

On the opening night, I engaged in exchanges with local and international members of the contemporary jewellery field including jewellers, collectives, teachers, and creative directors. These informed exchanges referenced the current practices and markets of contemporary jewellery in Barcelona and abroad with established jewellers, including Ezra, Wendy and Serena Holm, and industry professionals such as Paulo Ribeiro, director of JOYA Barcelona. Wearing a piece of my own work, I received encouraging comments regarding the development of my artistic practice and future ambitions.

30.11.14 – Dalí Jewels

I came away inspired from the displayed surrealistic works of adornment at Dalí Jewels.  These dazzling jewels showcased yet another example of Dalí’s multifaceted creative talent.  The exhibition includes 27 drawings and paintings of Dalí’s detailed designs and 41 resolved works with precious stones embellishments.  An impressive element of these work was the commissioned jewellers’ realization and craftsmanship of each individual design.  The integrated mechanisms reignited my interest in kinetic jewellery and I now see the potential for completing my unfinished pieces in consultation with a mechanical specialist.

29.11.14 – Dalí Theatre-Museum

As the largest surrealistic object in the world, the Dalí Theatre-Museum was a source of realization and inspiration.  The collection of 1,500 works on display presented a comprehensive retrospective of Salvador Dalí’s artistic career.  Each exhibition room captures Dalí’s experimentation with a variety mediums, including painting, drawing, sculpture and installation, through the diverse art movements of impressionism, futurism, cubism and of course, surrealism.  From this ultimate Dalí experience, I gained a sense of a life lived to make art.  Dalí’s seemingly endless flow of creativity and passion compelled me to reflect upon my own artistic practice and developing aesthetic.  Ultimately, my thoughts shifted to the logistics of the financial support and sponsorship required to produce a body of work as extensive as Dalí’s.

28.11.14 – Girona and Gala Dalí Castle

Through the mist of a fall morning, scarlet and golden leaves coloured the trees and cobble streets of Girona. Although the my shoes were soaked through, the wet weather did not ‘dampen’ my experience of the city.  It has been quite a few years since I have experienced the seasonal changes of a European autumn and I had forgotten how beautiful it could be.

Intricate details of the city’s architectural elements.

After exploring Girona’s historical cathedrals, buildings and fortifications, I visited the showroom and workshop of contemporary jeweller, Montserrat Lacomba.  Montserrat kindly gave a tour of her studio space, including a showing of her current works in progress and her sample board of favoured enamels, whilst explaining the inspirations which define her artistic practice.  From our exchanges, it was clear that the colours and shapes of Girona’s surrounding landscape are influential elements in her work.  Montserrat also described how the expressive application of enamel references to her previous fine arts training in painting.  Her current works-in-progress are intended for the ongoing collaborative project, Ludus Gemmarum Part II, with local Barcelonian jeweller Lluís Comín.

On the way back to my weekend base at Begur, I visited the Gala Dalí Castle in Pubol.  Dalí expressed his passion for the arts and his muse when restoring this countryside manor, as an oasis of rest and refuge for his wife, Gala.  The building and gardens overflowed with Dali’s creative talents with works of sculpture, painting and interior design.

27.11.14 – En Simgular Exhibition

En Simgular is an exhibition of contemporary jewellery, pictures and sculptures at the gallery space, Sala Perill.  A number of featured artists are members of the collective of contemporary artistic jewellers from Barcelona, Joyas Sensacionales, coordinated by Silvia Walz. The clever installation of diverse and abundant works played with elements of space and shadow.  Gallery assistant and collective member, Gemma Canal, also gave a narrated tour of the drawers containing other works by Joyas Sensacionales artists and outlined the collective’s objectives.  It was a worthwhile gallery visit and I hope to attend one of the exhibition’s associated activities to meet more members of the local jewellery community.

Participating jewellers:

Alicia Giradlez, Carla Gracia, Carme Roher, Clara Nuibo, Fatima Tocornal, Gemma Canal, Lola Gratacos, Lourdes Carmelo, Maria Diez, Montse Basora, Nicole Deuster, Noelia Sanchez, Nuria Anguren, Sandra Llusa, Xus Angles, Stephanie Barbie, Eva Burton, Eva Girbes, Judy McCaig, Ramon Puig Cuyas, Silvia Walz Grego G Tebar, Carmen Amador, Ana Godes, Gaston Rois.

25.11.14 – Tarragona

Today, I ventured to Tarragona hoping to see the exhibition, Joies A Part, by a collective of contemporary Portuguese jewellers at Gallery Silvestre.  However, it was unfortunate and disappointing to discover that the gallery was unexpectedly closed and I was not able to see the works.  The city was still beautiful to visit with Roman ruins and streets decorated with murals and street art.

23.11.14 – Sitges and the Fundació Stämpfli Art Contemporani

For lunch today, I set off to Sitges, a beautiful coastal town about 35 kilometers southwest of Barcelona.  The artistic history of Sitges was evident as I wandered the streets admiring the quaint decorative signs and charming architecture dotted with historical and contemporary galleries.

Sitges is a cultured and cosmopolitan town. Over time is has been home to a creative collective of sculptors, painters, poets and composers.  This includes accomplished artists such as “Miquel Utrillo (engineer, art critic, cultural organizer), Joaquim Sunyer (Novecentismo painter), Antoni Català (composer of sacred music and sardanas), Josep Carbonell i Gener (journalist, historian) and Charles Deering (industrialist and North American collector who was so impressed by the beauty of Sitges that he built there the Palau Maricel to house his art collection” (Visit Sitges, 2014).  Unfortunately, a number of the major galleries are currently closed for renovations.  However, I did get to visit the Fundació Stämpfli Art Contemporani and the newly curated exhibition from its permanent collection, made up of 90 pieces by more than 60 international artists.

20.11.14 – On the Table by Ai Weiwei at the La Virreina Centre de la Imatge

The current exhibition at the La Virreina Centre de la Imatge, ‘On the Table’, showcases a comprehensive review of the life and work of Chinese contemporary artist, Ai Weiwei.  The exhibit displays over 40 works including photography, documentary videos, installations, architecture models, sculptures, design and music.

“It features previously unseen works alongside pieces that have become global icons.  These objects and images are heavily charged with meaning, reflecting Ai’s life experience as an artist and as active participant in society, and documenting the political and social realities of modern-day China.”

– Rosa Pera, curator of the exhibition

16.11.14 – Big Bang Data at Centre de Cultura Contemporània de Barcelona

13.11.14 – Ramon Puig Cuyàs: Intercanvis Simultanis at dterra Galeria

dterra presents the solo exhibition, Intercanvis Simultanis, featuring a selection of work by renowned Spanish jeweller, Ramon Puig Cuyàs.  This show exhibits 50 unique pieces including a series of new works exploring enamels.  In each design, Cuyàs experiments on several planes with elements of colour, shape and material to create complex three dimensional forms.  The exhibition also showcases Cuyàs‘s artistic process from the sketched designs to fabricated creations and individualized packaging.

“Each piece of jewellery emerges after a long process wrought from repetition, rehearsal, elimination, selection and decision, as well as an evolution of feelings, emotions, certainties and doubts. A process attempting to reveal and materialize something indefinable, as though an internal design, born of intuition.”

– Ramon Puig Cuyàs

09.11.14 – Montserrat

Bearing the wind and the rain, I visited the magical, multiple-peaked, Montserrat mountain range.  I was in awe of this landscape and the detail was overwhelming! The feature points included the rock formations’ mountain peaks, intricate religious statues, a diverse art gallery and the elaborate monastery.  The art gallery featured a surprising variety of jewellery and metalwork from ancient Egyptian earrings, extravagant religious vessels and pieces by local contemporary jewellers.

25.10.14 – Gésine Hackenberg: Daily Delicious – Feast of Today at Klimt02 Gallery

Today, I visited the current exhibition at Klimt02 Gallery features the work by German artist, Gésine Hackenberg.  The artist’s innovative response to materials explores elements of the everyday.

“The intention of my jewellery is to represent fruit and vegetables’ relationship with people and their bodies. Everyday contact with these natural products – shopping, peeling, preparation and eating – serves as the chief source of inspiration. The sensual pleasure entailed in these acts invites us to celebrate the little things in life, playing with fruit and vegetables and adorning ourselves with their splendour.”

– Gésine Hackenberg

19.10.14 – Montijuic and Context Gallery

The morning began with an adventure to Montijuic.  After taking in the views of the city and harbour, I explored the beautiful parks and public art.

Travelling over the ranges to Sant Cugat, I visited Jewels Minimum / Jewels Minimal / Minimal Jewels currently on display at the Context Gallery.  The theme of this exhibition was the ‘pin’ and features more than 90 pieces created by 31 artists.  It was a simple installation but showcased an extensive range of materials and techniques.  The gallery director, Cristina, also granted a sneak peek into the ‘special’ drawers holding additional works by local emerging artists and established jewellers including Silvia Walz.

The Mercat de Mercats was a fantastic way to finish of the day with a variety of delicious food and wine stalls filling the square in front of La Catedral.

16.10.14 – OFF JOYA Exhibitions

JOYA Barcelona may be over yet art jewellery continues to be on display in a number of unique exhibitions across the city.  The sophisticated BOFFI showroom is the current host for the 4th edition of Gioielli in Fermento (Jewels in Ferment).  Project curator, Eliana Negroni, explains the “colours, shades and intensity of Gioielli in Fermento illustrate the themes of taste and wine’s ‘terroir’ arising from typical Emilia landscapes and considering, by extension, the Mediterranean subject as it has inspired authors from across Europe and from Brazil, Korea, Taiwan, United States, Venezuela”.  The display of the diverse works is thoughtfully considered and successfully juxtaposes kitchen and bathroom merchandise with art jewellery.

An enjoyable positive of strolling between gallery spaces is the lovely sites you see along the way, including the tranquil Turo Parc.

Ludus Gemmarum exhibits the works of Spanish jewellers Montserrat Lacomba and Lluis Comin.  The display cabinets included individual one-off works and a single collaborative piece connecting each artist’s practice.  It was a pleasure to meet Comin at his gallery where the exhibition is on display.  My mother enjoyed the work very much and added Lacomba’s Sweet Cloud Behind a Mountain to her collection.  Can not wait to ‘borrow’ it!

15.10.14 – Park Guell

14.10.14 – La Basilica Galeria

Tucked away on a side street from La Catedral is the eclectic jewellery store, La Basilica Galeria.  Jewellery overwhelms the senses from more than fifty showcases lined along the gallery walls.  Initially, I prematurely judged that this store was not to my aesthetic taste in jewellery with the abundance of ‘gaudy’ and ‘glitzy’ pieces.  However on inspection of the third cabinet, one ring captured my attention and I realized it was a piece by German contemporary jeweller, Nora Rochel.  Following this divine discovery, other contemporary works began to emerge from the overstocked cabinets, including pieces by skilled contemporary jewellers such as Michael Berger and Seul Gi Kwon.  A visit to this gallery is worthwhile if you are prepared to explore the shelves in each cabinet, all of which are stocked to capacity.

13.10.14 – La Catedral

Today, I explored Barcelona’s central place of worship, La Catedral.  The stone structure was constructed between 1298 and 1460 and the intricate facade was added in 1870.  The interior alcoves shelter sculpted altars for saints, each one more lavishly decorated than the last.  With so much to take in, I was drawn to the finer details of the lighting, doorhandles and engraved pave stones.

St George’s Door at Palau del Lloctinent sculpted by Josep Maria Subirachs.

12.10.14 – Exploring the Streets and Architecture of Barcelona

I clocked over 7km in my walking shoes this afternoon, exploring the streets of Barri Gòtic and L’Exiample.  Despite having already seen these iconic buildings in my previous travels, I am still overwhelmed by the refined detail in each element of the structures.  It seems ‘less is more’ is not a common expression in Spain.

11.10.14 – JOYA Barcelona

Since arriving in Barcelona, I have been using my inability to sleep to explore the city.  The details of each alleyway and building are captivating.  I will continue to lose myself in the city and capture the elements that make up this beautiful city.